For our HARTDS2 class, we were required to visit the Lumina Pandit exhibit in the
I was semi-surprised to find that the exhibit was actually of historical treasures, which was displayed in celebration of the university’s 400th year. We paid our entrance fees and headed into the first section of the exhibit.
The first section of the exhibit was mostly books of Miguel de Benavides. A painting by Carlos Botong Francisco was displayed, wherein he used cheerful colors to depict the
The second section was entitled “Realm of Print”. Naturally, here we found some of the first few books to be published in the
The third section, called “Spheres of Change”, was filled with what appeared to be astrology, cosmology and other studies of the universe. There were various old books of maps. I think at this point, people started to have a fascination with the universe and a higher being. Apart from that, I was very interested in the story of Noche Triste. Apparently, students had to study and practically know everything about this one book by Aristotle and are faced in front of a panel of judges. From what I understood, the student had two or three questions to answer; voting dice were used to determine their grade. On a lighter note, we found more amusing stuffed animals in this section, such as a tiger and a monkey, which I truly think had nothing to do with anything.
The fourth section is known as “Routes of Globalization”. Here, we saw maps and a lot of old stamps and seals. From the title, my immediate thought was that it had something to do with trade. Strangely enough, this was also where the activity area was. People could participate in a printing workshop, to experience how printing worked back in the day. I had my hand at it; I was quite tedious to make one page. I can’t imagine having to make a hundred or a thousand. The outcome, however, was wonderful. In my opinion, it looked positively medieval.
The fifth section, branded “Nascent Nation”, seemed to have a lot to do with our country’s fight for independence. There were several books that were published during the Spanish Rebellion, such as Noli Me Tangere, El Filibusterismo and Katipunan. Another notable thing that we saw here is Jose Rizal’s academic records. I was surprised and slightly amused that he actually got average grades with the exception of one subject, which he excelled in. Aside from that, there were also more religious images and paintings, as well as an area with headphones. I had no idea what the connection was, because when I listened to it, it was all sounds of nature— like crashing waves or animals in the jungle.
I would have to say that the last section of the exhibit was the one I found most interesting. Entitled “Curve of Nationalism”, it displayed various sketches of Carlos Botong Francisco, which I found impressive, yet rather redundant in style. He also had costume studies, which were equally as impressive. In this section, they also showed old newspapers that have been well-preserved by binding them together to make a large book. Who knew that old broadsheets were so impressively large? Not to mention the printing style. Another notable item in this exhibit was the papier-mâché figures within the glass, which showed different scenes throughout history such as revolts, daily life and even a volcanic eruption. This was the only section that seemed to include the American and Japanese occupation.
I have to say that the whole exhibit was a bit overwhelming. More than half the time, I honestly didn’t know what I was looking at; I basically had to assume for myself. The little labels didn’t do much help and the long texts looked discouraging to read; if I read them all, I would have been there until the next day. Despite this, the exhibit was, without a doubt, impressive in size and in substance.
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